O P U L E N C E: You Own Everything
Lauren Calhoun
Professor Harris
ENGL 2016
1 December 2024
O P U L E N C E: You Own Everything
[Collage is on the last page]
The queer ballroom scene of the 80s fits in an Afrofuturist framework because it reimagines cultural norms. It begs the questions: what if blackness and queerness were celebrated? What if they were the standard? It also fits this framework through its fantastical expressions of black creativity/identity and the social movements that were prominent in the scene at the time.
Under the “New York City” banner, lies the ballroom world, represented by drag queens from the seminal ballroom film “Paris is Burning”. In the movie, many ballroom participants said the inclusivity in the scene makes their otherwise “otherness” feel celebrated. This is depicted in the collage with the black women covering up the faces of the white models in the bottom right corner. Above the banner, lies the actuality of NYC or “the real world”, so-called by the queens in the movie. The disco ball overshadows it as, for once, whiteness is not the focus.
The excessive use of gold and gold leaf represents the gilded nature of ballroom culture at this time. The Keith Haring painting in the top right and protest signs in the background represent the AIDs crisis, which hit the ballroom scene hard; many participants were sex workers and/or were unhoused. The glitter, feather, and gold of the shows were shelter from the unrelenting strife of the“real world”. The three doves symbolize the lives lost in the AIDs crisis or to hate crimes.
The hieroglyphics in the top left corner symbolize black creativity. According to the film, voguing was created when two queens were arguing and decided to dance to settle the disagreement. Ninja, a voguer and choreographer, states that some voguing moves were derived from hieroglyphics, gymnastics, and poses from the titular magazine.
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